Takeover Tuesday with Hamnah Rizwan
i
An interview with Hamnah Rizwan: a freelance artist and illustrator from Virginia.
Interviewer: Bella Alfonsi
Read time: 5min
Bella:
Thanks so much for taking the time to join us for this series. Can you please introduce yourself?
Hamnah:
Hello! Thank you so much for this opportunity. I’m Hamnah Rizwan, a 21 year old freelance artist/illustrator from Virginia, USA. I am part Hispanic and Filipino from my mom’s side and Pakistani from my dad’s side. I love all things fantasy (The Lord of the Rings is my favorite), spending time around horses, and I hold a Master’s in software engineering from Virginia Tech.
Bella:
How did you discover art and storytelling as a child?
Hamnah:
A lot of the credit goes to my parents. I grew up as a homeschooler which was a wonderful experience that allowed me to grow creatively and focus on what interested me, which was art. My parents encouraged my siblings & I to read about so many different topics and dig into what interested us, which really broadened my imagination. I can remember a couple major points in my life that really inspired me to get where I am today. The first moment was when I was around 9 yrs old and gifted a sketchbook and pencil/pastels set by my parents. This made me feel like such a professional “artist” and I spent all my time watching tutorials and figuring out how to use all these tools. I filled up a couple sketchbooks in no time.
The second moment was when I watched and read the Lord of the Rings for the first time around 10 yrs old. I remember feeling so many emotions after watching the films which included shedding a few tears. This was when I realized how powerful stories can be. I thought about how just one person’s piece of art could be so meaningful and touch so many people’s lives. I also watched all the behind-the-scenes footage for the films which got me excited to learn about concept artwork and design.
These experiences sparked my interest in all types of art including filmmaking, stop motion animation, graphic design, photography, and illustration. I created videos with my sister, animated stop motion Lego shorts that took months to create, and continued filling up sketchbooks of my own fantasy places. I collected every “The Art of” books I could find, my favorite being “The Art of How To Train Your Dragon.” I got my first Wacom Bamboo tablet around 12, and that’s when I knew illustration was the direction I wanted to get into. I loved the traditional work of artists like Tony DiTerlizzi and was drawn to incorporate that style into my digital work. Although I am technically self-taught, I don’t consider myself to be since all my skills have been gained through studying and learning from other artists through self-paced courses, books, tutorials, etc.
Character illustrations as part of a commission Hamnah worked on.
Bella:
How has being exposed to multiple different cultures influenced you and/or your work?
Hamnah:
Growing up, I was fortunate to have been introduced to many cultures and ideas. I am part Hispanic and Filipina from my mom’s side and Pakistani from my dad’s side. I grew up around all four of my grandparents living nearby and was constantly surrounded by many different languages, foods, stories, and SO many beautiful colors and patterns. This has had such a great influence on my art and creativity.
Bella:
I love your illustrations for children's books. Is that kind of work something you want to continue to focus on or are you interested in other types of projects?
Hamnah:
Yes! I would love to continue to work with more authors and publishers in the illustration field and this is my main focus. I have a particular love for projects that involve whimsical, fantasy themes and animals as well as projects that highlight cultures across the world.
Fantasy booked cover Hamnah worked on.
Bella:
Do you have a dream project or client you want to work with?
Hamnah:
Outside of illustration, I have always wanted to be involved in an animated production (preferably fantasy related) as a visual development artist. I’ve always been fascinated by the pre-production stages of films from character design to set/prop design. This would definitely be an ideal project for me. So, if there are any studios out there, I’m here and ready to jump on board!
Bella:
Do you have any advice for someone trying to "find their style?"
Hamnah:
I honestly am still trying to find mine. I understand the struggle with the almost infinite void of art inspo on Instagram and Pinterest. I try to think about what type of illustrations excite me most. Having a consistent style is important for your own branding and making your work recognizable, but it takes time and exploration. To help figure it out, I think it’s important to think about the type of story/theme/mood you are trying to portray in your work and what type of illustration comes easy to you.
A spooky illustration for a Haunted House cover.
Bella:
What programs do you use to illustrate?
Hamnah
I have experience using different types of programs, but my main workflow is using Photoshop paired with my Huion Kamvas 13. Photoshop is such a robust software with so many capabilities and I’ve managed to collect many wonderful brush packs from artists that I love to use. I also have experience with Procreate and Corel Draw which are both great alternatives.
Bella:
How do you stay motivated? What gets you out of a creative rut?
Hamnah:
One of my favorite quotes about creativity is by Jack London where he says: “You can't wait for inspiration. You have to go after it with a club.” Feeling unmotivated is completely normal and experienced by all of us every now and then. I work full-time in IT along with other projects aside from art, and it can be difficult to juggle it all and find time to create. When this happens, I remind myself of London’s quote and try my best to get out of that rut as soon as possible instead of letting the procrastination win.
I’ve been reading about different ways to do this and a helpful method I’ve found in the last couple months is utilizing our “limbic brain.” This is the part of our brain responsible for creativity, ideas/imagery, and activates dreaming when we sleep. Activating this part of our mind involves doing some sort of physical movements or an activity that allows us to think with images like reading. This is probably why we often hear about artists “taking a walk in the neighborhood” to help cure their creative block. I typically try to catch up on a book that I’m reading, exercise, or journal to keep ideas flowing.
Another strategy that helps is making it easy for yourself to create. Most of the concept work for my personal and client work is done in a sketchbook that I carry around. Once I’m happy with it I’ll import the sketch and clean it up digitally with all my tools. The idea of having to draw in a clean, quiet space with all the tablets/laptops/etc. and at a specific time can become a form of procrastination. I try to carry around my sketchbook and squeeze in time to draw throughout the day.
Bella:
Is there something you've worked on that stands out as a favorite to you?
Hamnah:
There have been multiple projects that have stood out to me. One was a promotional illustrational I created for an organization that provides educational resources for children of the Wayuu tribe in Colombia. It was an incredible experience learning more about the culture of the Wayuu people which is primarily governed by women. My artwork was even presented to the leader of the tribe who said she loved it! Another wonderful project I’m currently working on is a picture book for a therapeutic horse-riding center for children with special needs. I am a crazy horse lover and the opportunity to create illustrations and a story about all the beautiful horses for their students is so rewarding and fun.
A fun park illustration exploring some of Hamnah’s character work.
Bella:
Any final advice or exciting things coming up you'd like to share?
Hamnah:
There is a quote I love by Richard Bach where he says: “Argue for your limitations and sure enough their yours.” It is very easy to create fears and perceived barriers in our minds that block us from reaching our full potential creatively. There will never be a perfect moment to create something, which is why today is! I am a strong believer that art and storytelling have a power that helps us think, stirs our emotions, and opens our minds. I’m looking forward to working on more meaningful projects in the new year. Thank you so much for having me!