Q&A with Sazan Pasori, an Animator, Designer, and Art Director based in Los Angeles.

Q&A with Sazan Pasori
Read time: 5min

Madison Caprara:

Hi, Sazan! Why don’t you give us a little introduction to yourself to start us off?

Sazan Pasori:

My name is Sazan (pronounced SUH-zan). I’m an Art Director and Motion Designer based in Los Angeles. I’m a lover of color and art that doesn’t take itself too seriously. I feel lucky to get to make fun little animations for a job, but I think even if I didn’t work in this industry, I would be pulled to create things. It really feels like a compulsion!

Madison Caprara:

What education route did you end up going down, and how do you feel that experience has helped you develop as a creative?

Sazan Pasori:

I went to college at the University of San Francisco, where I studied creative writing and graphic design. I didn’t really know what I wanted out of a career, but I would lose track of time writing and designing, and figured if I could combine the two somehow down the line, that would be a pretty cool career. I eventually landed on motion design/animation/art direction after moonlighting in visual merchandising, copywriting, and creative strategy. Some motion designers I had met also encouraged me to try it out. It felt like an “a-ha” moment. I quickly dove into YouTube tutorials and animation boot camps and got totally hooked. The rest is herstory!

Madison Caprara:

Now, a lot of art directors have pretty diverse backgrounds--such as yourself! What do you think are some key qualities or experiences that good AD’s have in common?

Sazan Pasori:

In my opinion, the best art directors have a combination of instinct and discipline. Generally, they’re creative people with “an eye,” but the best ones spend lots of time researching references, developing their craft, and continually evolving/improving their output. I aspire to be this kind of art director!

Madison Caprara:

Having to wear so many hats, do you have a favorite niche or role to work within?

Sazan Pasori:

I’m a believer in the oneness of creative pursuits...I guess what I’m trying to say is that I don’t have a favorite!

Lately, I’ve really enjoyed directing and making music! Growing up, my dad spoke a lot of different languages and said the more he acquired, the next language he learned came to him easier. I feel creative pursuits are the same. I love exploring new applications of expression.

Madison Caprara:

What’s it like to work for GIPHY? Give us the lowdown.

Sazan Pasori:

Working at GIPHY is like working at a wacky animated online library. I’m just one of the librarians.

Madison Caprara:

So fun! What is it about GIFs that make them so popular in everyday conversation, in your opinion?

Sazan Pasori:

The English language can sometimes fail to capture subtle moments and feelings. GIFs give you the satisfaction of specificity, physical expression, and relatability.

Madison Caprara:

What has been your favorite, or most memorable, project to date?

Sazan Pasori:

This year I co-directed an animated short with my GIPHY colleague, Tianna Harvey, titled, Blobs in Space. The one-minute animation is a 2D/3D ballad turned disco bop about connection in the time of COVID-19. Check it out! It’s a hilarious and tragic little journey.

Madison Caprara:

Pivoting back to your role, what are some of the most unexpected challenges or frustrations you have had to deal with?

Sazan Pasori:

I think artists of all kinds feel an immense amount of pressure to constantly produce new work (I know I struggle with this). I’ve definitely suffered from burnout and am working towards a life where rest and recovery are critical parts of my creative process.

Madison Caprara:

Who are some of your biggest artistic influences?

Sazan Pasori:

Everybody who knows me knows I’m a supa dupa mega Missy Elliott stan. She is my idol! Her multi-hyphenate background and out-of-the-box approach still feel like the future.

Madison Caprara:

What are some of your top career goals? Are there any you have already achieved?

Sazan Pasori:

In my opinion “career goals,” are better framed as “creative pursuits,” as I mentioned previously. A career is so tied up in your livelihood—how can my job pay my bills, you know? When you try to tie your livelihood and identity to a career...and your goals! WHEW! Now you’re simply asking too much from your career.

As far as my “career goals” go though, I’ve made it! I get to make things and get paid enough to live my life. In the future, I’d love to make longer-form content and experiment more with analog techniques.

Madison Caprara:

That’s a really healthy way to look at your career. We do have a tendency to make our job titles and identities synonymous.

Do you have any advice for aspiring art directors?

Sazan Pasori:

My advice would be to just start making things! When I first started out as a designer, I was terrified to even put pen to paper. Sure, a lot of the stuff I made at first sucked, but you have to push through that initial stage until you start making things that look cool.

Madison Caprara:

Great advice!

Now, as we start to wrap it up, is there anything in particular that you would like to end this interview on?

Sazan Pasori:

A quote that has brought me immense comfort as a creative and as a person is: “Whatever it is you’re seeking, won’t come in the form you’re expecting.”

The quote is by fiction author, Haruki Murakami, and reminds me to ease up a little and let things play out. White knuckling a project, your career, or life won’t change it’s outcome.

Takeover Tuesday with Sazan Pasori

The Dash Bash venue